Miltan Epsilon & Chak’r’Das

I’m very excited to announce that Miltan Epsilon & Chak’r’Das, Books 1 & 2 of the Jazz Healy Reunion Series, are now available!

Miltan Epsilon is FREE to read. Get your copy from your bookseller of choice here: books2read.com/miltanepsilon

Buy Chak’r’Das from your favorite online bookseller here: books2read.com/chakrdas

Book 3, Garbadon Major, is scheduled for release in August, while Book 4, Bil’Tross, should be dropping in November.

Want to know more about the books before you dive in? You can read the first 5 pages of Miltan Epsilon here: Milton Epsilon Preview Pages. And an even larger sample should be available at each online retailer.

Need a little more? How about some blurbs? Say it slowly with me, blurrrrbbbbbs. It’s a great word, right?

Miltan Epsilon

Jazz Healy is estranged – purposefully – from her mother, who runs a galaxy-spanning criminal organization. Twelve years ago she lost her father when pirates attacked a freighter delivering supplies to a frontier planet. Since then she’s decided it’s better, safer, to keep to herself. Even if means being alone. And often lonely.

Right now, she’s delivering pets, of all things, to a lawless space-station. Apparently even the most hardened criminals like animal companionship. One critter especially is making the cargo run worthwhile: a gene-splice kitten. Jazz will earn a cool hundred thousand Commonwealth dollars if she safely delivers the little fluff ball to its new owner.

But cargo that valuable brings out all sorts, from wannabe animal activists to tech cultists with enhancement fetishes. And maybe even Jazz’s mother. Though the cat is only one bullet point on her agenda.

***

You in for the ride yet? Here’s the blurb for Chak’r’Das:

(SPOILER ALERT: Jazz doesn’t die in Book 1!)

Chak’r’Das

For the last six standard months Jazz Healy has been scouring the Independent Fringes for her father. He’s been missing, presumed dead, for over a decade. But new information has come to light and Jazz is determined to leave no asteroid unturned.

However, the same troubling questions keep popping up. If he still lives, why has he never come looking for her? Twelve years, and not a single comm? Other things weigh on her, too. Like how she feels about Darren Tollett. Not long ago he knocked her unconscious while trying to steal some valuable cargo. Now is she, if not in love, in quite-like with him?

Those dilemmas are soon on the backburner, though, as Jazz finds herself entangled in the political machinations of a royal family. She and Tollett will need all their wits, and maybe some luck, to get themselves out of this predicament in one piece.

***

You’re in now, right? C’mon, it’ll be fun! How about some cover art, for good measure? Big shoutout to L.E. Badillo for his awesome work!

Join Jazz Healy as she navigates her way through the galaxy in books 1 & 2 of this 4-book series. Maybe she’ll learn that allowing people into her life can give her a richness she could never experience otherwise. Or perhaps she’ll decisively conclude that people are just the worst. The worst! Or she might end up as an ethereal light being who can change the past with a thought. No, of course not. That’d just be silly. Right? Right? *looks around nervously*

Don’t worry, there are no ethereal light beings (though if there were it’d make perfect sense for them to be there), but there is plenty of action, adventure, romance, family drama, and even a mystery or two to be had. Or in two words: Space Opera. Boom!

So, in conclusion, thank you for reading Miltan Epsilon and Chak’r’Das, Books 1 & 2 of the Jazz Healy, Reunion Series, and stay tuned for Books 3 & 4, coming out later this year!

S.C. Mae

For the Love of Editing!

First, for anybody who’s wondering why Jazz Healy Books 1 & 2 aren’t out yet – I said April 2nd, right? – sorry for the late update. I tweeted about it and was sure I’d posted about it here but apparently not. D’oh!

Essentially, I underestimated publishing things a lil bit (I are newb, after all), and publishing both Miltan Epsilon and Chak’r’Das on April 2nd was too big an ask. I might’ve been able to get Miltan Epsilon out the door but I really want Books 1 & 2 to be released at the same time so decided to reschedule to May 4th. A Tuesday, which the internet tells me is the best day of the week for media releases, but also Star Wars Day. Probably not super ideal but imma go with it.

I do have the finished cover art for Miltan Epsilon, courtesy of the most excellent L.E. Badillo. Here it is if you haven’t seen it already:

I’ve worked with L.E. before, on covers for the Comets and Criminals zine, and I’ve always liked his style. There were several iterations of the cover before we got to this point; perhaps in a later post I’ll show the various mock-ups and previous versions and discuss how we got here. End result is awesome, in my opinion, and I’m super-excited to see the cover for Chak’r’Das come to fruition over the next few weeks.

In other publishing-related news, I’ve chosen my primary aggregator: StreetLib. For those who might be unfamiliar with what an aggregator is in self-publishing terms, they are essentially a service that distributes your book to various retail channels on your behalf. This means a self-publisher can target many different marketplaces without having to individually go through the process of publishing the book on each one. An aggregator will take a small slice of each sale you make (in addition to the slice the retail channel takes) but the amount of time and effort saved is well worth it, I think. More time for writing and editing, right?

I chose StreetLib because I like their international reach, which seems far greater than other aggregators I researched. I suppose I could use all the aggregators so as to reach all the markets but I want to keep things as simple as possible, otherwise my pea brain will explode. At this stage, I’ll probably only publish direct to Amazon and Google Play, and have StreetLib get my book into all the retailers they have agreements with.

Anyhoo, to finally get around to the main topic for this post: Editing! For the love of it, even!

If you’ve seen my Twitter account (if you haven’t, here it is: https://twitter.com/SCMae2), you’ll have noticed that a lot of my tweets are editing-related. Poor editing puns, editing-related observations, editing self-motivation. Part of that is because I really do like editing – it’s probably the aspect of the story-crafting process I find most enjoyable (more on that later) – but the biggest reason is that I’ve been doing nothing but editing for months. More than half a year, even!

I finished the first draft of Tra-Obis, Book 4 in the Jazz Healy, Reunion series, on the 26th of September 2020. And since then, I’ve been editing, editing, editing. First there was the big edits on Book 3, Garbadon Major. That took me nearly to the end of the year. During that time I also finished the outline for Book 1 of The Next Series in a Completely Different Universe and made a start on the outline for Book 2 (so I guess technically that was writing rather than editing) and suddenly it was 2021 and I was gunning for an April 2nd release date. So apart from schooling myself on the various aspects of self-publishing – like, for real schooling, not the relaxed research I had been doing – I also needed to make sure the first two books were shipshape. That took me a few weeks – there’s always stuff that can be improved – and then I went right into big edits on Tra-Obis. After I finish those (I’m nearly 50% through right now), I’ll need to do the final edits on Garbadon Major and, sometime before September, the final edits on Tra-Obis. Hopefully in between those two final edits I’ll write the first draft of Book 1 of TNSiaCDU.

These last couple weeks have been slow going. Some of that, I think, is due to Tra-Obis being the messiest draft of the four Jazz Healy books so there’s a lot that needs a-fixing, but I might also be suffering from a little bit of editing burnout. I need to write me some fresh fiction!

As far as the editing process goes, I tend to edit thusly: big edit first (usually three or more months after the draft is finished), which is a combination of a structural edit and a line edit. Both those types of editing are as they sound, looking at overall story structure and then line-by-line dissection. Some time later I’ll do what I call a final edit, which is a combination of a softer line edit plus proofreading. After that, hopefully, the book is ready to go 🙂

The editing process is fun. I always think of story-crafting in terms of sculpting (full disclosure, I have never sculpted and likely never will, so my analogy might be waaay off):

The idea is the stone.

Outlining and drafting are carving the stone. Making the general shape of the story, then further shaping it but it’s still pretty rough and sometimes I can get away with rushing through certain sections.

Editing is refining the sculpture. This part of the process is generally more delicate, finicky. Sure, sometimes I’ll carve off whole chunks and totally redistribute the shape of some areas but mostly I’m carefully, slowly, refining the story into its final form. Because of this I often linger over edits. Go back over the same sections three or four days in a row, changing little bits here and there. Often I’ll have further realizations some time after I’ve completed a section and will go back to revamp, revise, refresh – which in turn can have more flow-on effects for the rest of the book. I’m happy to take my time editing but editing too slow can be just as dangerous as editing too fast.

I know many self-publishers hire editors for some or all parts of the editing process. There are various (all good) reasons for doing this, not least of which is that outside eyes are typically far more objective than those of the writer. There’s also the business aspect, too. Many self-publishers are publishing books every month or two and want to keep their output high to grow their income or to keep it steady. I haven’t hired any editors for the Reunion Series and I’m not planning on doing so for future books, either (though this is, of course, not written in stone). Why not? Editing is just too much fun. If I got others to do most of my editing I’d kinda feel like I was only having half the fun I should be. That may or may not be a sound business decision but I have to enjoy what I love doing, right?

For the love of editing? Yep, which is all part of the love of writing.

S.C. Mae

If you’d like to join the conversation, you can do so here.

Miltan Epsilon – Preview Pages – Jazz Healy, Reunion Series Book 1

Would you like a sneak peek inside Miltan Epsilon, Book 1 of the Jazz Healy, Reunion Series? Well, here you go.

I hope you enjoy…

Miltan Epsilon – Chapter 1 – Scene 1

Jazz Healy slapped the cockpit dash of her Z-Class long-hauler but the extra life-sign on the internal scan refused to go away. She scowled. “That’s the last time I let Rankovic talk me into a job.”

The tiny splice-kitten in the cot at her feet mewled.

“Don’t stress, little one.” Jazz rose, mentally cursing that she hadn’t made time to replace the broken mote cameras in the cargo hold. “I’ll feed you when I get back.”

The surplus life-sign radiated too much heat to be one of the other baby animals, escaped from its pen. That meant a person lurked below and Jazz wasn’t getting paid to transport people to Garbadon Minor.

After closing and locking the cockpit door she hesitated. Was it really safe to leave the kitten alone inside? Rankovic’s instructions had been to keep the red-and-black striped fluff-ball away from the other animals but that was out of regard for its safety – value, in all honesty – not theirs. The splice-kitten’s buyer was forking out a very large sum of money for successful delivery. So much, in fact, that Rankovic was willing to pay Jazz one hundred thousand Commonwealth dollars for nothing more than a basic intrasolar freight run.

Yes, definitely safer to keep the kitten behind a locked door.

She ran a diagnostic on the nanomachines that fortified her body – optimal; good – before rotating her cybernetic right arm and flexing its metal fingers. Finally, with her left hand, she drew her gun and set off.

Sneaking aboard should have been impossible. She had personally overseen loading, not once leaving the entrance ramp, and she’d closed that ramp as soon as the process finished. The animals had all been carried on by hand, their holding pens erected earlier from scrap pallets already in Jazz’s possession. There had been only one crate of supplies – feed, sedatives, straw, and the like – and she’d opened that in the company of the Customs officers who’d arrived with the delivery people. She’d even counted off everybody as they entered and left.

The internal scan, now hooked into her enhanced optics and displaying in the upper corner of her right retina, showed the life-sign continuing to drift aimlessly about the cargo hold.

She passed through the common room, an area filled with magnetized wooden chairs, a table grooved by a myriad cuts, cupboards, a bench, and other necessities for storing and preparing food. She barely spent any time in here nowadays, preferring to while away flights in the cockpit eating ration cubes and watching B-grade thrillers.

From there she ghosted through passenger alley, noting that each cabin remained locked and showed no signs of tampering. Her ship could berth nine but she had come to despise carrying human customers. They always wanted to socialize and took to complaining if she left them to their own devices. And the ones who didn’t want company usually planned to shoot or stab her while she slept. Nope, much easier to transport animals than people. At least, that’s what she’d thought until a few minutes ago.

Past the cabins the corridor branched, one appendage heading to engineering and the other to the cargo hold. Jazz skirted the engine housing – protected by blast-strength steel twice as thick as her – and stopped on the cargo hold balcony. Floodlights mounted in the ceiling gave scant opportunity for shadows to form on the large open area below but did highlight the many scuff and paint marks that decorated the grey walls and floor. The array of makeshift pens, open-topped and filled with straw, food and moisture-absorbent underlay, took up the center of the hold. Each hosted a young animal destined for a pet store on Garbadon Minor. Only the kitten in the cockpit had been privately bought.

The intruder stood out like a wheel-fruit in a field of crawling grass. A man, thickset, wearing a poor imitation of a Customs Officer’s uniform, the jumpsuit’s blue pants tucked into faded and fraying boots. He leaned over one of the pens, his back to her.

The scan showed no other unexpected life-signs. Jazz brought her gun to bear, braced herself, and said in her roughest voice, “Stop right where you are, put your hands on your head and turn around slowly.”

The man squealed and whirled about, both arms flying upwards. The words ‘Port Authority’ were plastered across the torso of his jumpsuit in thick white script. Brown hair in that awful yet timeless bowl-cut style and a bunch of multi-colored bracelets on his right wrist completed whatever look he was going for. He dropped into a half-crouch, hands pointing at the ceiling, sweat patches under his arms.

“Who the hell are you?” Jazz said.

“Um,” the man stammered, then sucked in a deep breath and stood upright. “My name is Darren Tollett, Port Authority, Exotic Animals Division, and I demand you turn your ship around this instant.”

Jazz let out a gravelly chuckle. “Never heard of it.”

“It’s a very important division, I can assure you. You are carrying prohibited fauna, therefore you must immediately regress to Halinder Intergalactic on Garbadon Major. Upon arriving you will be charged with unlawful export as well as aiding and abetting illegal genetic exploitation. Depending on the state of the animal in question, you may be charged with animal cruelty as well.”

“I see. Well, I’m not turning around.”

“If you do not I will have no choice once we reach port but to press additional charges for kidnapping.”

Jazz started down the stairs, her gun never wavering from the intruder below. “How did you get onboard my ship?”

Tollett, or whoever he was, lowered his hands to rest on his head. “I came aboard with the other Customs’ officials, of course.”

“No, you didn’t.”

He bobbed his head emphatically. “Yes, I did.”

Jazz reached the cargo hold floor but moved no further forward. Best to stay well out of arms’ reach. Wisdom borne of experience. “Then you should have left with them.”

“I would have but I was busy looking for an animal listed on the manifest but not present here.”

Jazz cocked an eyebrow. “Oh really?”

“Yes.” Tollett dropped his hands to his sides before vigorously rubbing them on his pants. “There is a kitten listed on the manifest that is not in any of these pens. I want to know where it is.”

“There must be a mistake on the manifest then.” Garbadon Major didn’t do manifests for living organisms. They did scans and bio-prints. Time to reverse the heat. “And, speaking of charges, I’m sure as hell gonna do you for trespassing. I don’t know who you are, but I know you didn’t come aboard with the official Customs’ crew. They arrived in a group of three and they left in a group of three, happy as pigs riding choppers.”

Tollett furrowed his brow. “Cool, I guess. Weird but cool. Cooler if they’re wearing leather helmets and have nose rings.”

Before Jazz could figure out a response to the sudden change in persona, her peripherals – silver teardrops at the forehead corner of each eye – picked up a blur of movement and something pressed into her side. The following pulsating jolts told her she’d been bushwhacked by a high-grade incapacitator. Typical Commonwealth police issue. She snarled and turned towards the new threat, fighting to keep her gun arm raised. Her assailant swore and jammed the incapacitator into her again.

“You’ll have to do better than that,” she ground out, coming face-to-face with a skinny teenage girl wearing a deactivated stealth suit. The kid’s eyes widened, the freckles on her face wobbling in surprise. No, the freckles weren’t wobbling. Jazz’s vision was. If she didn’t act fast her nanos would overload and the kid wouldn’t need to do any better than she was already.

Footsteps sounded behind her and then another incapacitator – where had this Tollett guy stashed that? – entered the fray.

“Dammit!” Jazz managed before her nanos rebooted and excruciating, pulsating pain racked her entire body.

The last thing she heard before losing consciousness was the girl’s squeaky yet triumphant voice: “Score one for the animals, you jacked-up scum-su—”

***

Thanks for reading! Book 1 and 2 of the Jazz Healy, Reunion Series have a planned release date of May 4th, 2021. So if you’d like to read on, please make a note of that date. You could also bookmark my release timeline, which will give you the most up-to-date information.

Too, if you’ve enjoyed this preview and would like to support my ongoing fiction endeavors, you could consider buying me a coffee. Writers do be needing their coffee! 🙂 You can do so either by going to the site linked just before or by clicking on the coffee cup to your right. Buying me a coffee gives you access to an exclusive short story, Orion’s Belt. There is also a monthly or yearly membership option, which opens up more exclusive content, including Jazz Healy’s origin short story.

Again, thanks for reading!

S.C. Mae

If you’d like to join the conversation, you can do so here.